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  • 🪢结🪢

    June 27, 2022 | Posted By: | Art Protest · blog: film link · body-politics · Live Performance · News |

    第一章:变成小花梅

    Chinese Knot, chapter one:

    Become “Little Plum Blossom”

    Our names are not Jane Doe. 

    An alias is our last defence. 

    Sensational title on the society page, photos with mosaic cover our eyes … 

    In the past 6 months, a mother of eight children locked up in an iron chain has captivated the attention of many people in and outside of China. It is beyond a tragic human trafficking case.

    There are many twists and turns in the narrative. After huge public outrage authorities in China’s Xuzhou city issued 5 statements and named Chained Mother as “Xiaohuamei: “ Little Plum Blossom – a woman was sold three times from south-western Yunnan province to Feng county. But is she truly her?

    Can DNA being fake? Can identify be swap?Can 1.4 billion people save one woman?Can the internet hottest topic break the censorship wall? When is the systematic structure of rape fall? Is this horrific tragedy only happens in China? Are we truly protected in so-call more civilized city? Religion, morality, tradition, custom, politics and law, why everything over powering a woman’s choice roar! 

    Silenced, Jailed, Disappeared…

    Delete, Remove, Forget …

    Opening act at The Non-fungible Body performance Festival, Linz, Austria

    Directed by Alfred Weidinger 

    Curated by Freda Fiala and River Lin

    4 hours body painting Captured by Jamie Baker

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    The Place Where I Miss Day and Night

    November 7, 2021 | Posted By: | body-politics · Exhibitions · News · Press |

    Solo Exhibition, at the Museum of Far Eastern Art . An exhibition that includes a selection of video performances, as well as video art and photographs.

    By maska

    Posted on 07.11.2021

    Xie Rong: The Place Where I Miss Day and Night, Photographs of works – ©  Jamie Baker 

    Xie Rong, a Chinese-born contemporary artist, specializes in performance and video art. Her work, born from a hybrid complex self-awareness, balances between tradition and modernity. The artist tells about the personal, translating her stories into the language of performance, recites texts in English, and sings traditional Chinese songs. Xie Rong uses the technique of homage and silence, indicating his presence, powerful and fragile at the same time. The artist uses her influence on the public, involving the audience in her own performance.

    Xie Rong’s narrative is based on her family history. In her works, she shares memories of her childhood in the city of Chengdu in the Sichuan region, talks about her relatives and the ancestors of her family. The personal memories that the artist explores are based on the deep traditions of a complex Chinese society undergoing ideological, political, economic and social changes.

    Xie Rong analyzes the stereotypes associated with China, fights against them and opposes them. He paints his body with classical Chinese cultural symbols, mimicking either blue-and-white porcelain or classical Chinese landscapes and calligraphy, giving new meaning to traditional Chinese painting. With her art, she “translates” traditional classical Chinese art into modern language, adapting it to modern Western perception.

    Xie Rong’s work is influenced by Western performance artists of the 1960s and 70s. In those years, performance included an exploration of the capabilities of the human body, a test of physical and mental endurance and stamina. Shi Rong, using voice, body, symbolic images and personal texts, examines the relationship between such human manifestations as cruelty, beauty, vulnerability, trying to understand how all this together affects the formation of self-awareness and the feeling of one’s own body. Shows traditional Chinese art through a modern view from the side – from Europe, using both sound and traditional Chinese symbols – for example, a goldfish, concepts from Chinese philosophy.

    Often, Xie Rong invites the audience to take an active part in her performances, drawing strength from the vulnerable position in which the audience finds themselves and the discomfort experienced by the participants in the show. The emotions of the audience are intertwined with the feelings of the artist, which allows her to build a certain model of relationships, which is a holistic performance.

    The creative cycle of actions of the artist and the audience, the inextricable link between the past and the future, between traditional cultural baggage and contemporary art echoes the principle of Buddhist samsara: the cycle of birth and death, growth and decay, death and rebirth.

    Xie Rong (1983) was born in Chengdu, China. She attended art school in Sichuan, where she studied classical drawing and calligraphy, at the age of 19 she left to continue her studies in London, where she received her first academic degree in graphic design from the Central Saint Martins College of Art (CSM) and the second academic degree in art from the Royal College of Art. Lives and works in London and Surrey. Participated in solo and group exhibitions in Hong Kong, Australia, China, Sweden, Germany and England. Her husband, photographer Jamie Baker, helps her in her work.

    *****

    Xie Rong. “The place where I yearn is day and night.” 
    Ramat Gan Museum of Russian and Far Eastern Art. 
    From November 11, 2021 – May 2022
    Exhibition curated by Adiya Porat

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    Stone and Light

    June 12, 2019 | Posted By: | blog: film link · Exhibitions · Live Performance · News · Press |

     

    XIE RONG – STONE AND LIGHT

     

     By Madeline Bocaro ©

    Xie Rong performs her new works:

    Story of the Stone/ To Reach the Light

    (inspired by Yoko Ono) 

    at Yoko Ono: Peace Is Power exhibition @mdbkleipzig in Leipzig Germany

    May 11, 2019.

    Watch the performance videos:

     

    Story of the Stone

    This work by Xie Rong is inspired by three of Yoko Ono’s works; Three Mounds, Riverbed and Rising (lyrics).

    Xie Rong: “I wish to create a piece to bring illumination and sound into the darkness. To connect all the rooms into the main hall, create movement of audiences. From 9:30 Andreas played music create tension and atmosphere. 10pm, Me, in a mirror suit, walking into the main hall. I stood inside a rope light, silent, I will sing “Olive Tree” then I walk off to collect all the ropes, I shout out to each floor and balcony, drag ropes between people. Creating spider web collection between the three museum floors and four exhibition rooms.” … …


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    Films showing at The Royal Standard

    November 12, 2012 | Posted By: | blog: film link · Exhibitions · News |

     

     

    The Royal Standard in collaboration with Drawing Paper and Liverpool Biennial present a one-day experimental event exploring the relationship between sound, performance and drawing. It will screening my films:

    Be the Inside of the Vase (2012)

    I Am a Brush (2012)

    Little Red Flower (2012)

     

     

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