menu

performanceart

  • STORM CHASER: A STUDIO VISIT WITH XIE RONG

    July 10, 2021 | Posted By: | Uncategorized |

    Fearless performance artist Xie Rong (also known as Echo Morgan) puts herself in vulnerable, uncomfortable positions to communicate strong political messages. Using her own body as a canvas, she invites her audience to bury her with stones, throw water on her and touch her pregnant stomach. Xie’s arresting performances infuse personal experiences growing up in China with broader political points about race, gender and cultural attitudes. She draws strength from the audience’s uneasiness and plays on relationships of control. With these unforgettable performances, coupled with strong photography by Jamie Baker, Xie is poised to make her mark in a big way. Today she tells us why she has dramatically pivoted her practice towards a deep concern for the environment.

    Text by Kate Neave

    Xie Rong, Light, photo Jamie Baker, Asian Culture Center, Gwangju, 2019

    ON HER LIGHT BULB MOMENT

    In 2019, I flew to Sydney and back for a single performance. I spent 48 hours in the air and only 30 hours on the ground. The trip prompted me to look into my carbon footprint and I discovered that flying from London to Sydney produces the equivalent amount of carbon dioxide that a resident of India produces over the course of an entire year. My performance in Australia had been connected to the sea, examining it as a border and addressing political policies towards refugees. But I felt so guilty about flying so far to perform a work about nature that I rewrote the entire script in my hotel room the night before. I performed a work about environmentalism that day and the experience made me step back and rethink my entire practice.

    Xie Rong, Sea 海, photo by Anna Kucera, Sydney Art Space, 2019

    ON SUNRISE

    When I admitted my regret, the curator told me to she wanted to meet me at 5am the next morning. She took me to her favourite spot on the beach to watch the sunrise. She told me that sometimes you have to remember moments, that experiences are important too. She told me how important it was for me to share my message and how much it meant for me to be there spreading it. She reminded me that as an artist you have to produce things. After doing all this research I wanted to find something I could do to counteract the environmental damage of travelling so I have adopted a plant-based diet. I feel like I’m contributing to the movement of changing. People have to realise that it’s down to individual action rather than system change. There are small efforts we can make in our daily life that will make a change.

    Xie Rong, Delete, photo by Jamie Baker, Toynbee Studio, London, 2017

    ON THE POWER OF NATURE

    The whole experience led me to deeply research environmentalism. I’ve spent the pandemic looking into the crossovers between performance art, action art and activism in this context. I’ve found so much strength and power in what other artists have done. I was talking to the artist Betsy Damon and she said, “I will only do art that belongs to the ecosystem and I will only teach art that is activism”. I felt that was such a grand and meaningful decision. I’ve made a film about my research this past year that juxtaposes found footage and still images. I’ve been thinking about how much my own work could actually make a change. I usually perform in galleries, but I’ve started asking myself am I brave enough to actually go out on the street to stage a performance and risk being arrested?

    Xie Rong, Be the inside of the vase, photo Jamie Baker, Dyson Gallery, London, 2012

    ON THE POLITICS OF A PATCH OF GRASS

    One area that has really interested me is the subject of lawns. It felt like a subject that had a lot of historical and cultural roots that I could dig into. Many years ago, in China, my father invested money to buy a prominent site in our city centre and later discovered the square that it was situated on was to be a huge lawn. Lawn does not grow well in China. It sat on the edge of a dead patch of land for 15 years. The lawn space was installed as a symbol of a modern international city. English culture has influenced the world for decades, and lawns are really symbolic of that. American lawns are symbolic of man conquering nature and by extension indigenous people. A lawn represents a certain history; it’s more than just a piece of grass. It has historical roots. We need to revisit our history books and reflect on what we have normalised. I love what Zheng Bo said, that art needs to be a multispecies celebration and I feel this inclusiveness needs to be discussed.

    Xie Rong, Home, photo Jamie Baker, Galerie Huit, Hong Kong, 2017

    ON MOVING FORWARD SIDE-BY-SIDE

    The message I always got when I lived in China was that capitalism is killing the planet. I always reacted against it because I felt I was being brainwashed against capitalism. But now, having lived in this country for 20 years, I’m starting to think maybe I believe it. For me, as a Chinese artist, I feel this responsibility to address the global scale. I want to have more dialogue and encourage more exchange of information. With the pandemic, China is in danger of withdrawing to protect itself in this bubble. I feel the need to be more present in the Chinese art scene because I feel this dialogue is so important. If we want the planet to change we have to work together.

    Xie Rong, Circle of Fire, photo Jamie Baker, Röda Sten Konsthall, Gothenburg, 2018

    Xie Rong’s ecological research film ‘Eco Echo’ can be viewed here. The film was supported by Chinese Arts Now festival through Arts Council England funding, and will be shown at the Transmission Gallery in Glasgow during COP26

    This feature is part of ‘Unearthed: Eco-visionaries’ a thought-provoking series by Kate Neave uncovering contemporary artists at the forefront of environmental thought. We discover artists that engage with the natural world, explore topics at the frontier of art and nature or shed light on an environmental issue. Taking inspiration from these creative practitioners, we join the complex conversation about the climate crisis, harnessing creativity’s power to reach a deeper understanding and be a catalyst for change.

    + Read more…

    Baltic Sea

    September 23, 2019 | Posted By: | Exhibitions · Live Performance · News |


    Jamie Baker

    Xie Rong: Sea
    Durational performance
    Saturday 19.10. between 13-16
    Wäinö Aaltonen Museum of Art, Itäinen Rantakatu 38
    As part of Wäinö Aaltonen Museum’s When Is Now -exhibition

     

    Friday 18.10.2019

    WHEN WHAT INFO WHERE
    18:00  Panu Pihkala: Earth Emotions  Performance lecture  Viinatehdas MANILLA
    19:15  Leena Kela: Space Here We Come  Performance lecture  MANILLA courtyard
    20:00 Nathalie Mba Bikoro: Black A(n)thena  Performance TEHDAS Theatre MANILLA
    21:00  Leyya Mona Tawil: Lime Rickey International’s Future Faith  Performance  Viinatehdas MANILLA
    22:00  FESTIVAL Lounge  Bars open!  TEHDAS bar + courtyard MANILLA

    Saturday 19.10.2019

    WHEN WHAT INFO WHERE
    9:00-17:00  Salla Talvikki Nieminen: Free Verse Work  Durational performance  City centre – place TBA
    11:00  STRETCH 2019 keynote: What is the point of it all? Working internationally in the age of ecological crisis Visitor and Innovation Center Joki Kupittaa
    13-16 Xie Rong: Sea Durational performance Wäinö Aaltonen Museum of Arts
    13:30-16:30 Henna Laininen: My Climate Emotions (workshop) Workshop on climate emotions Enrollments here
    14:30 Antti Tolvi & Tero Niskanen: Honk  Durational moving performance Multiple performance spots – starting point at Mannerheiminpuisto
    17:00  Leyya Mona Tawil: TURKU FUTURE FOLK DANCE LAUNCH  Performance  City Centre
    18-02 Stirnimann – Stojanovic: – The Space –  Durational performance Vanha Viinatehdas / Danasali MANILLA
    Hourly/start 18:30 Tiia Kasurinen: Life of Harmony – Extended  Series of performance choreographies  Studio MANILLA
    Hourly/start 18:30  Tytti Arola: The Silakka Triptych  Series ofperformative concerts  TEHDAS Theater MANILLA
    20:00  Niko Hallikainen: Television  Performance Viinatehdas MANILLA
    21:30  Ali Al-Fatlawi & Wathiq Al-Ameri  Performance Aurinkobaletti MANILLA
    22-03  FESTIVAL CLUB: Clubbing dancing and partying until early hours Evening programme  TEHDAS Theatre + Viinatehdas + courtyard of MANILLA

    Sunday 20.10.2019

    WHEN WHAT INFO WHERE
    13:30  Fern Orchestra: Vox HerbāriumNOTE! Transportation leaves at Manilla at 13:30. The performance starts at 14:00 at Ruissalo. Enrollment for the transportation and performance here (limited seats)  Performance  Ruissalo Botanical Garden
    16:30 Qi Gong & meditation by AnttiTolvi  Taiji and meditation class Vanha Viinatehdas MANILLA
    17:30- EVENING SNACK AND FINAL DISCUSSION. Festival ends with joint early evening snacks and discussion about the festival themes and performances. The discussion is moderated by Marika Räty (Arts Promotion Centre Finland)
    + Read more…

    Body of Work

    September 11, 2019 | Posted By: | News · Press · reviews |

    Body of Work

    Interview by Jing Zhang

    Published on Aug of 2019 Prestige Magazine

    + Read more…

    Stone and Light

    June 12, 2019 | Posted By: | blog: film link · Exhibitions · Live Performance · News · Press |

     

    XIE RONG – STONE AND LIGHT

     

     By Madeline Bocaro ©

    Xie Rong performs her new works:

    Story of the Stone/ To Reach the Light

    (inspired by Yoko Ono) 

    at Yoko Ono: Peace Is Power exhibition @mdbkleipzig in Leipzig Germany

    May 11, 2019.

    Watch the performance videos:

     

    Story of the Stone

    This work by Xie Rong is inspired by three of Yoko Ono’s works; Three Mounds, Riverbed and Rising (lyrics).

    Xie Rong: “I wish to create a piece to bring illumination and sound into the darkness. To connect all the rooms into the main hall, create movement of audiences. From 9:30 Andreas played music create tension and atmosphere. 10pm, Me, in a mirror suit, walking into the main hall. I stood inside a rope light, silent, I will sing “Olive Tree” then I walk off to collect all the ropes, I shout out to each floor and balcony, drag ropes between people. Creating spider web collection between the three museum floors and four exhibition rooms.” … …


    + Read more…

    Live Action 11 Gothenburg

    September 10, 2016 | Posted By: | blog: film link · Exhibitions · Live Performance · News |

    Watch Live Performance “Mother” online:

    Since my father passed away two years ago I found impossible to make live art, he was the drive, the inspirations for my action art. My straggled soul found huge peace, hope and happiness in daily life of caring my boys. But I have missed so much of the honesty, vulnerability and power of being the ART and communicate to the world through ACTION. Thank you Jonas Stampe for inviting me to the 11th of Live Action in Gothenburg. I am honored to join with some amazing live artists to explore, experience and express the magic of live art. #Gothenburg#lindamarymontano#performanceart#johncourt#huangrui#echomorgan#carlosmartiel#annerochat#行为艺术#哥德堡

    + Read more…
/